Best Movies about Underage girl

Filmy o nezletilé dívce

Germany Year Zero (1948), The Ballad of Narayama (1983), Chaplin (1992), The Night of the Iguana (1964), Straw Dogs (1971), Trade (2007), Pale Rider (1985), Good Time (2017) . Let’s take a look at the ranked list of the best Underage Girl movies.

#16. Lolita (1997)

• Hodnocení: 6.9 / 10
• Délka: 2h 17min
• Žánr: Drama, Romantický
• Režisér: Adrian Lyne

Storyline: In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with «nymphets,» teenagers who walk a fine line between being a girl and a woman. While looking for a place to live after securing a new teaching position, he meets Charlotte Haze (Melanie Griffith), a pretentious and annoying woman who seems desperately lonely and is obviously attracted to Humbert. Humbert pays her little mind until he meets her 13-year-old daughter Lolita (Dominique Swain), the image of the girl that Humbert once loved. Humbert moves into the Haze home as a boarder and eventually marries Charlotte in order to be closer to Lolita. When Charlotte finds out about Humbert’s attraction to her daughter, she flees the house in a rage, only to be killed in an auto accident. Without telling Lolita of her mother’s fate, Humbert takes her on a cross-country auto trip, where their relationship begins to move beyond the .

#17. Performance (1970)

• Hodnocení: 6.9 / 10
• Délka: 105 minut
• Žánr: Krimi, Drama
• Director: Donald Cammell

Storyline: Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by the mysterious Mr. Turner, a one-time rock superstar, who is looking for the right spark to rekindle his faded talent.—Brad Jackson

#18. You Were Never Really Here (2017)

• Hodnocení: 6.8 / 10
• Délka: 1h 29min
• Žánr: Krimi, Drama, Mysteriózní, Thriller
• Režie: Lynne Ramsay

Storyline: Balancing between feverish dreamlike hallucinations of a tormented past and a grim disoriented reality, the grizzled Joe—a traumatised Gulf War veteran and now an unflinching hired gun who lives with his frail elderly mother—has just finished yet another successful job. With an infernal reputation of being a brutal man of results, the specialised in recovering missing teens enforcer will embark on a blood-drenched rescue mission, when Nina, the innocent 13-year-old daughter of an ambitious New York senator, never returns home. But amidst half-baked leads and a desperate desire to shake off his shoulders the heavy burden of a personal hell, Joe’s frenzied plummet into the depths of Tartarus is inevitable, and every step Joe takes to flee the pain, brings him closer to the horrors of insanity. In the end, what is real, and what is a dream? Can there be a new chapter in Joe’s life when he keeps running around in circles?

#19. Blame It on Rio (1983)

• Hodnocení: 5.8 / 10
• Délka: 110 minut
• Žánr: Komedie
• Režie: Stanley Donen

Storyline: Matthew is married to Karen, and father to teenaged daughter, Nikki. Victor, his colleague and best friend, who is going through a divorce, is father to 17-year-old Jennifer. Matthew’s marriage is not going well as well. Just before they are to embark for a trip to Rio de Janeiro, Brazil, Karen says she is going on vacation by herself to «think about everything.» Matthew and Victor decide to go to Rio with their daughters. The magical atmosphere of Rio, as if saturated with eroticism and languid lusts, takes them by surprise. Victor hunts for every woman, and Matthew, faithful to his wife, modestly accompanies his daughter in her entertainment. But the exciting Brazilian rhythms and frank dances on the moonlit beach do their job. Unable to resist the relentless onslaught of the young seducer, Matthew enters into an intimate relationship with her. Victor is furious when he finds out about an «older man» in his daughter’s life, and sets out to hunt him down with the aid of Matthew.

#20. The Informers (2008)

• Hodnocení: 5.0 / 10
• Délka: 1h 38min
• Žánr: Krimi, Drama, Thriller
• Režie: Gregor Jordan

Storyline: Loosely connected stories capture a week in L.A. in 1983, featuring movie executives, rock stars, a vampire and other morally challenged characters in adventures laced with sex, drugs and violence.

The best all-girl coming-of-age movies, rated by cry factor

Seija je editor funkcí z Los Angeles. Sledujte ji na Instagramu @_seija_ a přemýšlejte o nejnovějších filmech, knihách a palubních časopisech (opravdu).

Aktualizováno 19. září 2022

Třináct (2003)

This movie, about a (you guessed it) 13-year-old, is basically every parent’s nightmare. It follows Tracy (Evan Rachel Wood), a middle school teen who befriends a troubled classmate and gets into. everything. It’s an indie flick of the very dark variety, and captures the much more serious side of adolescent experimenting. If your childhood was a happy one, Třináct is probably interesting, but if it wasn’t, it’s most definitely a trigger. —Seija Rankin

Lady Bird (2017)

Greta Gerwig’s coming-of-age dramedy perfectly taps into the highs and lows that come with desperately wanting to find oneself, being on the brink of young adulthood, and the complicated beauty of the mother-daughter relationship. Whether it’s the separation anxiety Lady Bird (Saoirse Ronan) gets from leaving her friends as they go away to college, or her desire to live creatively in a romanticized version of the East Coast, the film feels like an honest snapshot of one of the most exhilarating and terrifying moments in a young woman’s life. —Aja Hoggatt

Láska a basketbal (2000)

The hyper-specific locale of the Los Angeles suburb Baldwin Hills, a.k.a the Black Beverly Hills, adds an extra layer of authenticity by highlighting a real neighborhood that is home to Black prosperity—something rarely depicted onscreen. With that backdrop, the film is able to be, simply, a girl-next-door love story between two basketball players (Sanaa Lathan and Omar Epps) who pursue their dreams (and each other) from childhood to adulthood. Watching their love story play out is at times angsty, at times heartbreaking, and altogether inevitable. —AH

Tu a tam (1995)

If you went to a slumber party between the years 1995 and 2005, chances are, this movie informed the night’s activities (#seance). Before women sat around at brunch debating who was a Samantha or a Miranda, they were tweens who were a Chrissy (Ashleigh Aston Moore), a Teeny (Thora Birch), a Sam (Gaby Hoffmann), or a Roberta (Christina Ricci). It’s a kids’ movie, but the characters tackle all sorts of adult (and tragic) topics. —SR

Moje holka (1991)

This movie is about Vada (Anna Chlumsky), the daughter of a widowed funeral director (who also happens to have hypochondria), who faces all the struggles of growing up, from a first crush to a first period. But the movie’s central tragedy is all about Thomas J. (Macaulay Culkin). We won’t spoil anything in case there is anyone left in the world who doesn’t know the ending, but trust that tears will be shed. —SR

Sixteen Candles (1984)

Parts of John Hughes’ comedy classic haven’t aged well—looking at you, Long Duk Dong—but the story of Sam Baker (Molly Ringwald) and her forgotten birthday stands as one of the director’s most iconic coming-of-age tales. Being a teenage girl means feeling invisible, and, more often than not, like you’re the only sane person in a crazy world—a feeling that Sixteen Candles captures perfectly. It’s more slapstick comedy than emotional cry-fest, but Sam’s heart-to-heart with her dad about unrequited love is one of the most touching, realistic father-daughter scenes in film history. —Autor: Devan Coggan

Virgin sebevraždy (1999)

The sorry tale of the Lisbon sisters is the ultimate in teenage tragedy. Sofia Coppola masterfully adapted Jeffrey Eugenides’ novel, which follows the five sisters as they struggle to find themselves among suffocating parents, new relationships, and the stifling expectations of ’70s suburbia. —DC

Juno (2007)

Juno introduced us not only to Diablo Cody and the world’s hippest soundtrack, but also to a character who was tough, funny, and vulnerable all at once. While people may remember the movie more for its quirky teen dialogue than its emotional impact, don’t tell us you didn’t tear up seeing the note Juno (Elliot Page) left for Vanessa (Jennifer Garner) framed above the crib. —Dana Schwartzová

crooklyn (1994)

The year is 1973, the setting is Bedford-Stuyvesant, Brooklyn, and our hero is a 9-year-old girl named Troy (Zelda Harris). This Spike Lee joint depicts not only the life of its main character but the vibe of an entire neighborhood—tragedies and joys combined. The Carmichael family’s fate takes a turn, but the perfectly-curated soundtrack and sets keep things from getting too dark. —SR

Hrana sedmnácti (2016)

Kelly Fremon Craig’s dark comedy is one of the most realistic depictions of what it’s like to grow up as a 21st-century high schooler. Hailee Steinfeld imbues the teenage outcast Nadine with a sardonic spikiness, whether she’s trading insults with a teacher (Woody Harrelson) or talking graphically about sex. But underneath all that sarcasm is a squishy heart, as Nadine learns to come to terms with her insecurities. —DC

Sesterstvo putovních kalhot (2005)

A pair of magical pants that deepens the bond between a group of four best friends? That’s exactly what you get when you watch this coming-of-age drama. The personalities and struggles of each friend—Carmen (America Ferrera), Bridget (Blake Lively), Lena (Alexis Bledel), and Tibby (Amber Tamblyn)—could not be more different, but there is not a single one that doesn’t connect with the audience. Watching Bridget lose her virginity prematurely or Lena break down her walls and experience first love, there is a subtle honesty that is rarely seen in a studio film featuring a cast of teenage girls. Carmen’s relationship with her father is more complicated than most, as the two figure out how to exist in each other’s lives after time apart and new additions to the fragile family. The audience can truly feel her anger and frustration and later acceptance of this new dynamic, while Tibby learns about true loss. Whereas some films attempt to give viewers one-dimensional, drastically different characters in hopes you will be able to relate to one, viewers can sympathize with parts of each member of the sisterhood. —AH

Všem chlapcům, které jsem miloval předtím (2018)

Lara Jean (Lana Condor) is a wallflower type who just so happens to have it bad for her older sister’s boyfriend. She’s written secret letters to him to declare her feelings, and her younger sister takes things into her own hands and (gulp) sends them. This movie is about high school crushes on the surface but delves into the pain of young love that we all know too well. —SR

Malé ženy (2019)

The story of the March sisters isn’t a new one, but director Greta Gerwig’s interpretation of Louisa May Alcott’s 1868 novel feels at once classic and outrageously timely. Just because you’ve read (and watched) the heartache her characters endure before, don’t expect to be any less emotional over it. Jo (Saoirse Ronan) and Laurie’s (Timothée Chalamet) drama will still hit you like a Mack truck.

Female Trouble: 10 Best Teen-Girl Movies

Ten years ago today, Mean Girls hit theaters and, within a few months of its release, proved that child star Lindsay Lohan could establish a post-Disney career (how said career would turn out is, of course, a different story). It also demonstrated that its screenwriter, Tina Fey, had a singular comic voice that wasn’t confined to her SNL “Weekend Update” desk and gave audiences an introductory glance at future stars Rachel MacAdams, Amanda Seyfried and Lizzy Caplan.

Ale především, Mean Girls reminded us that movies about teen girls aren’t always just for teen girls — you don’t have to be wrestling with adolescence, peer pressure or who you’re going to the prom with to appreciate the wit and wisdom that a great femalecentric teen flick has to offer. The anthropological breakdowns of clique mentalities and class struggles, the damage done by trash-talking (and this was before Twitter, people), the way someone who doesn’t conform to the norm becomes a social pariah: all of the things that Mean Girls satirized and shined a light on don’t go away once you get a diploma or turn 20.

So, in honor of the film’s aluminum anniversary, we’ve singled out Mean Girls‘ peers in teen-girl filmdom and picked out the 10 best. These are movies which say something about being a young woman a give us heroines who can delight you, make you laugh, break your heart and/or scare the living crap out of you no matter how young or old you are.

10. ‘Ginger Snaps’ (2000)

Before he’d go on to make the world’s greatest TV clone drama Sirotek Černý, John Fawcett would co-write and direct this tale of two Goth sisters — one of whom, Ginger, is bit by a strange creature roaming their suburbs one evening. Quicker than you can sing a verse of Creedence Clearwater Revival’s «Bad Moon Rising,» the sibling with the teeth marks starts to exhibit some strange behavior, from sprouting a tail to aggressive sexuality. As a metaphor for the girlhood-to-womanhood changes of puberty, this werewolf film may not be subtle. But the way it portrays the bond between these misfit sisters and mines the sense of not belonging for dark humor and horror puts this head and hairy shoulders above most girl-in-trouble monster movies.

9. ‘Juno’ (2007)

Yes, Diablo Cody’s script nearly overdoses on the snark-talk, but get past the honest-to-blog-isms and what you’ll find is a portrait of the teenage years as one big ball of confusion. Courtesy of the mighty Ellen Page, the unexpectedly pregnant Juno is the smartest, pop-savviest person in any room; also courtesy of the Canadian actress, this character uses those traits to hide her vulnerability, her bewilderment at the immature adults in her life (though not her exceedingly cool parents) and the sense that she’s surfing an emotional tsunami thanks to her situation. The movie initially makes teen pregnancy seem like a quirky punchline; by the end, Juno’s condition just feels like part of an extreme take on how growing up is hard to do, even when you’re forced to do it quick.

8. „Easy A“ (2010)

Behold, the power of great casting: Will Gluck’s breezy comedy about a goody-two-shoes student who, in order to further her social status, lets nasty rumors circulate about her «purity» might have worked with another actress in the lead role. But you can’t underestimate what Emma Stone brings to the role; even viewers who remembered her from Hodně špatné were surprised that she was this deft of a comedienne. More importantly, Stone sells you on the conflict and the rush that her character, Olive, experiences: No one wants to be slut-shamed, but what if you could use your fake bad-girl rep for the benefit of others? At what point do good intentions start souring everything else? Somehow, she balances the dramatic aspects, the broad comedy and the film’s take on a puritan obsession with sexuality do’s and don’ts into one seamless screwball performance that sets the pace — and makes it look easy.

7. ‘Time Square’ (1980)

After a meet-cute in a New York mental ward, a troubled rich girl and a tough street kid decide to live la vie de boheme and start a punk band. While the uppercrust girl’s dad — the same guy who’s trying to mount a clean-up-the-Forty-Deuce campaign — is searching for his daughter, a Times Square DJ (played by Tim Curry) turns the female duo into folk heroes. A cult hit thanks to its New Wave soundtrack and documentation of a vintage sleazepit midtown NYC, Allan Moyle’s movie pits its heroines against a Horror-City landscape and lets them win. The studio’s toning down of the more sapphic elements doesn’t dilute the girls’ deep friendship, however — a bond that, along with fighting Gotham bureaucracy, gives these teen rebels their cause.

6. ‘Clueless’ (1995)

People recast Shakespeare plays in WWII-era London and Fifties New York — so why ne update Jane Austen’s 1815 novel about a busybody matchmaker to mid-Nineties Beverly Hills? This spunky adaptation hits the standard teen-comedy beats (House parties, shopping-mall trips and high-school hallway summits? Check, check and check), yet it does it with such energy and verve that you never feel like you’re watching a typical story of upspeaking Southern Cali kids crowing over their outfits, boys, etc. Alicia Silverstone became a star by playing the film’s teen queen Cher Horowitz, but this is no solo act; the way she plays off her fellow students (big up Brittany Murphy and Stacey Dash!) and babyfaced romantic interest Paul Rudd is what gives this farce voltage.

5. ‘Bring It On’ (2000)

Cheerleaders — they’re always the resident snooty, rich-bitch villains of teen comedies, right? Peyton Reed’s teen romcom-cum-sports movie flips the script and makes them the heroines, playing off the stereotype of the blonde pom-pom shaker even while it gleefully explodes it. Having found out their old captain stole a bunch of routines from an African-American squad, their new leader (we miss you, Kirsten Dunst) has to inspire her teammates in time to win the semifinals. The movie would be a giddy pleasure even if it didn’t have those adrenaline-rush cheer routines and Buffy‘s Eliza Dushku doing her street-smart sassmouth routine. But we’ll single out that moment when Dunst is listening to the mixtape hunky Jesse Bradford made her and she starts to slowly give in to the music…before dancing like a maniac all over her bedroom. To je what teen abandon looks like.

4. ‘Valley Girl’ (1983)

You wouldn’t have high expectations for a film named after Frank Zappa’s 1982 novelty hit about his daughter’s SoCal mall slang. But anybody who braced for a disposable, faddish cash-in was stunned by what director Martha Coolidge delivered instead: a funny, energetic, surprisingly sensitive comedy about a popular California teen (Deborah Foreman) who falls in love with a punker from the wrong side of the tracks. The fact that the guy with the spiky hair, soulful eyes and skinny ties is played by a young Nicolas Cage would make it easier to choose him over the young woman’s douchebag preppy boyfriend, but you know how peer pressure works. The oh-my-sakra dialogue and KROQ-friendly soundtrack make it a period piece; the film’s ability to go from totally rad to real in a blink (see the what-should-I-do conversation with her hippie parents) makes it timeless.

3. ‘Carrie’ (1976)

It starts with one of the most humiliating sequences in any teen-girl film (those horrid locker-room taunts of «Plug it up! «Plug it up!») and goes out with the greatest prom massacre ever. In between those two nightmarish set pieces, however, is one of the most astute takes on what happens when you land on the losing scale of the teen social pecking order. Sissy Spacek’s Carrie White would be considered fair game for senior-year predators even if her ability to move things with her mind didn’t make her different by default; the genius of Stephen King’s novel is that he makes her high school experience hellish even before the rage gets unleashed. Even if Brian De Palma’s pomo baroque stylistics aren’t your cup of pig’s blood, you have to give him credit for trusting Spacek to run the gamut in that climactic scene. Watch how her look of unbridled joy at finally living out the prom-queen dream curdles once she realizes she’s a) covered in Type O and b) suffered the worst campus prank ever. And that’s when the screaming starts.

2. ‘Ladies and Gentlemen, the Fabulous Stains’ (1982)

No less than Kathleen Hanna and Kurt Cobain pledged allegiance to this story of a disaffected young woman whose band, the Stains (think the Slits minus the reggae influences), become unlikely role models. It’s the ultimate punk-rock-empowerment film, anticipating the riot-grrl movement by almost a decade and giving Diane Lane the role of a lifetime as the skunk-haired singer Corinne Burns. (Yes, that’s Laura Dern as the band’s bassist.) Like the Velvet Underground, this film made a small impact upon its release but its feminist teen spirit inspired almost everyone who came into contact with it. Báječný doesn’t even begin to describe its effect.

1. ‘Heathers’ (1988)

There are dark teen comedies, and then there’s Michael Lehmann’s cult classic about the ultimate HBIC clique; name another teenagercentric movie that rips into bulimia, date rape and suicide, and still makes you laugh through your gagging. (Samozřejmě they turned this into a Broadway musical!) Really, what young lady stuck with a pack of too-cruel-for-school friends wouldn’t secretly wish them dead, or fall for a Jack Nicholson-esque new kid who doesn’t flinch when it comes to making such murderous dreams come true. The bitchiness and the quotability factor here is off the charts («Fuck me gently with a chainsaw»), and Winona Ryder and Christian Slater have never been better. You don’t think this is one of the most acidic, absolutely enjoyable teem movies ever made? Like, what is your damage.

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