Movies about Slave girl
Southern playboy Matt Claibourne is called to the majestic estate of his uncle, a U.S. Senator, who informs him that he has ruined the family name once too often. In order to avoid further scandal, the Senator sends Matt on a government mission to Tripoli, where he is to arrange for the release of ten American seamen held hostage by Barbary pirates. To protect the ransom and his nephew, the Senator hires Chips Jackson as Matt’s bodyguard. Arriving in Tripoli, Matt quickly falls for the charms of Francesca, an alluring dancing girl, while bargain-hunter Chips purchases a beautiful slave girl named Aleta. After Francesca and her cohorts steal the Americans’ ransom, Matt and Chips fill the now-empty strongbox with bricks and deliver it to the Pasha. When the Pasha discovers the deception, Matt confesses all and claims that Chips is arranging for new payment through the American consul. Matt then recognizes Francesca among the dancing girls, only to be informed that she is the Pasha’s fiancée. After being warned by Yusef, the Pasha’s chief advisor, that familiarity with Francesca would mean death for both of them, Matt recants his identification and is thrown into the dungeon with the hostage sailors. Meanwhile, the Pasha announces his intention to force Francesca to marry him, though she is secretly in love with El Hamid, the Pasha’s political rival. When Chips is later captured by the Pasha’s men, all hope seems lost for Matt and the sailors until Aleta appears with the key to the dungeon. With the help of Thomas «Liverpool» Griswald, a British prisoner, the Americans make their escape into the night. Knowing that their only way home is to recover the stolen ransom, Matt and the seamen go in search of Francesca, unaware that she is now the Pasha’s prisoner, having been caught in a compromising position by Yusef. Before Francesca is put on the torture rack, however, the Americans break into the palace and free her. They all go to the «Sign of the Grapes» café, where Francesca tells Matt that she is an Italian who was captured by the Pasha while on her way to Paris, and that she stole his gold in order to finance El Hamid’s revolution against the Pasha. When Matt still refuses to let her keep the ransom, Francesca escapes the café and heads to El Hamid’s camp. She is followed by Matt and his men, and at the camp, El Hamid informs them that he plans to use the gold to purchase 1,000 mercenary troops. El Hamid then asks Matt to join his cause, offering to double the lost gold with riches captured from the Pasha’s coffers. Later, when he meets with Telek Taurog, a desert chieftain, El Hamid reveals his plan to betray the Americans, as well as agreeing to Telek’s demand for the favors of Francesca. Aleta overhears El Hamid’s deceptions, however, so the Americans fight off the Arabs and make off with both the gold and Francesca. While the Americans argue about how they will leave Tripoli, however, Liverpool informs them that the camel carrying the gold has run off. Matt and Francesca chase the camel into the Pasha’s camp, where they once again become his prisoners. After Francesca confesses her love for Matt, the Pasha orders the two executed by firing squad, but before the execution takes place, they are rescued by Liverpool and the sailors. Soon they all become trapped in the mountainside by the Pasha’s men, so Francesca rides to El Hamid’s camp with the gold and entices them to follow her back to the mountainside.
Ředitel
Charles Lamont
Obsazení
Yvonne Decarlo
George Brent
Matt Claibourne, also known as Pierre
Broderick Crawford
Albert Dekker
Lois Collier
Andy Devine
Arthur Treacher
Thomas «Liverpool» Griswald
Leader of a tribe of amazon women, Queen Kari, has vanquished a rival tribe and rules them with savage ruthlessness and cruel arrogance. A hunter stumbles onto the enclave and falls for one of the slaves, so unleashing the anger and envy of the possessive, sadistic Queen.
Obsazení
Ředitel Ředitel
Producent Producent
Spisovatel Spisovatel
Editor Editor
Kinematografie Kinematografie
Umělecký směr Umělecký směr
Speciální efekty Speciální efekty
Skladatel Skladatel
Návrhy kostýmů Návrhy kostýmů
studios
Země
Jazyk
Alternativní tituly
Mujeres prehistóricas, Slave Women, Les femmes préhistoriques, Prehistoric Women, Der Sklave der Amazonen, Les femmes Préhistoriques, Робинята, Femmine delle caverne
Žánry
Témata
Vydání podle data
Seřazeno podle
Divadelní
25 1967 února
07 července 1967
Fyzický
07 2006 září
Vydání podle země
Seřazeno podle
UK
07 července 1967
- Divadelní
07 2006 září
- Fyzické PG DVD
Spojené státy americké
25 1967 února
- Divadelní
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Populární recenze
Those sets and costumes from One Million Years B.C. were so great it would have been a shame to waste them. Hammer Studios obviously agreed, and so we got treated to this utterly ridiculous time travelling cave girl film. Prehistoric Women focuses on «the legend of the white rhinoceros» and a man hunting a leopard who goes back in time and gets involved with a tribe of dark haired women who keep the blonde haired women and all the men as slaves. Surprisingly enough, it’s all delivered with a completely straight face! There’s some real ham-fisted attempts at sexual politics, which actually manage to come off as charming just because of how stupid it all is. Martine Beswick is the…
Often considered one of Hammer’s cave-women movies, with good reason — it recycled the costumes from One Million B.C., it was named «Prehistoric Women» for the U.S. release, and starred the stunning and awesome Martine Beswick, who also appeared in that earlier movie. And judged by that model, this is a disaster, with not a single stop motion dinosaur, not even a superimposed giant iguana. But over 50 years away from the manipulative marketing campaigns that tried and failed to get butts in seats, can we take a step back and accept that this is a Lost World film much more in the mode of She, and not a cave woman movie at all? Michael Latimer is the great white…
From a meeting at Hammer Films: Michael Carreras: I’ve had a dream, a vision, if you will. This will be our next film. I see women. Lots of women. Gorgeous prehistoric women. In bikinis. Company lackey: Like One Million Years B.C.? Carreras: No, not at all. Lackey: But a little bit like it? No, Raquel was wearing a fur bikini. These girls will be wearing. leather ones! OK? But we’ll be having dinosaurs again. Nope. That Harryhausen bloke was too slow and expensive. No dinosaurs. This will be set in the jungle. All that location shooting in Spain was expensive too, we can do this all on sets and bang it out in a couple of weeks, no problem. Right,…
Sledoval MonsterVision s Joe Bobem Briggsem.
And now you may be asking yourself, What if I wanna see vice women in furry bikinis? What if my appetite for cave bunnies has not been satisfied? Well, most stations you’d be outta luck, but here at TNT, we spare no effort to dive deep, deep, deep into our vaults located at 1010 Techwood Drive Atlanta, Georgia, and come up with cave bunny classics that no other network would even bother to air. We’ve been talkin’ about Hammer Films, all right? Well, they didn’t just make a flick like Když dinosauři vládli Zemi by accident. They had been workin’ for let on that genre. And one of their earliest efforts is the…
Men!
Beware of the ladies of dusky good looks and snug fur bikinis who languish in bubble baths in darkest Africa!
For they shall enslave you and emasculate you and make you have sex with them!
If you refuse, they shall throw you in a dungeon with prematurely aged bearded old codgers of dubious personal hygiene!
They shall stand in the way of you chatting up one of their identical slave girls, bewigged in a blonde Scandinavian fashion and apt at any moment to break into a Pan’s People dance routine!
As the ultimate punishment, they shall force you to watch films of banal title and execrable content! Men! I warn you! Heed me or you risk the future of our gender!
Blondes are held captive as slaves by brunettes in a society made up purely of sexy cavewomen—and honestly that concept here has some fantastic potential for an amusing B movie, but this flounders it. There’s great costumes (left over from One Million Years BC) and fun dances, but it’s pretty bad in every other regard. Which could be fine since no one is watching this as award winning material, but it’s very dull and the scenes drag on way too long.
Michael Carreras’s fantasy adventure in which a jungle guide is abducted by a people of natives who desire to expense him to their white rhino god. Starring Martine Beswick and Edina Ronay. The story concerns a hunter who is caught by a hostile tribe and takes him to a prehistoric land ruled by Brunette Amazon ladies. When he is placed into a dungeon, he breaks his chains to rescue a gorgeous blonde slave. Michael Latimer gives a poor performance in his role as David Marchent, the British adventurer who shows very little determination in terms of trying to rescue the woman he likes, while Edina Ronay is poor as Saria/Sarah, the blonde woman who David tries to get out. Elsewhere,…
I’m gonna tell my kids that this is Spartacus. (It feels just about as long despite this being less than half the length. This thing is only 80 something minutes but man did it feel a lot longer) There might be some camp value to this but I thought it was too dull to really be all that much fun. In this movie a group of brunettes have enslaved this group of blondes and the blondes plot a (very slow) rebellion with the help of this one modern era guy who somehow ends up falling back in time and ends up right in the middle of this tribal warfare involving these groups of women. (See what I mean about camp…
V tomto Hammer Film blondes do not have more fun, this low-budget production deals with a Great White Hunter magically transported back in time so that he can fulfill some ancient prophecy by helping overthrow a cruel queen who leads a tribe of Amazonian brunettes that have enslaved all the blonde women. That the plot of this film makes little to no sense is a given but as it basically exists just to get a group of incredibly attractive women in leather bikinis the story really isn’t all that important, but as dumb and silly as this film is Martine Beswick is simply captivating as the «Queen of the Amazons» and I’d bow down before her in a heartbeat.
A Hammer flick that features bikini-clad babes. Michael Latimer is a safari guide who trespasses into sacred white rhino territory and is captured by the local tribe. The tribe is going to put him to death but he touches the white rhino statue’s horn and is transported to a much earlier time. This time is ruled by Martine Beswick and her dark-haired Amazons. The blond-haired Amazons are the slave girls. All the guys are locked up. Some horrible dancing in this one. EFX are hokey, dialog is bad, and story is even worse. Regardless, as a Hammer fan, I enjoyed this one, even though it is not a favorite of mine.
In this Hammer Films production, a hunting guide in Africa travels back in time to a prehistoric civilization inhabited by every statuesque supermodel in ’60s England. A tribe of brunettes has enslaved a tribe of blondes, and the men are nowhere to be found. The fact that the film takes this premise very seriously is what makes it such good stupid fun. Like Raquel Welch’s One Million Years B.C., there is no real nudity here, just a lot of animal-skin bikinis engaged in jungle go-go dancing routines. It’s all very cheesy and not too sleazy. Look for a young and barely recognizable Steven Berkoff in a brief walk-on role at the very end.
Aka — Prehistoric Women What a wonderful crackpot movie. How can this not be a cult item? It makes absolutely no sense. This would have to be Al Bundy’s favorite movie. It is as if a voyeur had a spicy curry for dinner and had a hallucinatory dream filled with beautiful women all in fur bikinis with ample cleavage and the spectacular Martine Beswick as a queen who has another catfight (From Russia with Love being the first and then A Million Years BC with Raquel). They should have hired Russ Meyer to direct this film. Can we ask for more? How about four musical numbers that are actually not bad at all. Or a white male who has to…
Top 10 Movies that Deal with the Issue of Slavery
Bryan Mills (Liam Neeson), a
former government operative, is trying to reconnect with his daughter, Kim
(Maggie Grace). His worst fears become
real when pimps abduct Kim and her friend shortly after they arrive in Paris
for vacation. With just four days until Kim will be auctioned off, Bryan must
call on every skill he learned in black ops to rescue her.
9. Glory (1989)
Following the Battle of Antietam,
Col. Robert Gould Shaw (Matthew Broderick) is offered command of the United
States’ first all-African-American regiment, the 54 th Massachusetts
Volunteer Infantry. With Junior Officer Cabot Forber (Cary Elwes), Shaw puts
together a strong and proud unit, including an escaped slave, Trip (Denzel
Washington), and the wise gravedigger John Rawlins (Morgan Freeman). At first
limited to menial manual tasks, the regiment fights to the heat of battle.
8. Nápověda (2011)
In 1960s Mississippi, southern
society girl Skeeter (Emma Stone) returns from college with dreams of being a
writer. She turns her small town on its ear by choosing to interview the black
women who have spent their lives taking care of prominent white families. Only
Aibileen (Viola Davis), the housekeeper of Skeeter’s best friend, will talk at
first. But as the pair continue the collaboration, more women decide to come
forward, and as it turns out, they have quite a lot to say.
7. Milovaný (1987)
In 1873 Ohio, Sethe (Oprah
Winfrey) is a mother of three, haunted by her horrific slavery past and her
desperate actions for freedom. As a
result, Sethe’s home is haunted by a furious poltergeist, which drives away her
two sons. Sethe and her daughter (Kimberly Elise) endure living with the spirit
for 10 more years, until an old friend, Paul D. Garner (Danny Glover), arrives
to run it out. After Garner moves in, a strange woman named Beloved (Thandie
Newton) enters their lives, causing turmoil.
6. Nefarious: Merchant of Souls (2011)
Zločinný is a critically-acclaimed, award-winning documentary on
the global modern-day slavery trade. The film demonstrates how millions of
women and children around the world are increasingly becoming the expendable pawns
of the demand for forced labor.
5. Half the Sky (2012)
Půl oblohy is a passionate call-to-arms, urging us not only to
bear witness to the plight of the world’s women, but to help to transform their
oppression into opportunity. This
documentary passionately contents that our future is in the hands of women
everywhere. (Now available on Netflix.)
4. Not My Life (2011)
Worldwide Documentaries
Ne můj život comprehensively depicts the cruel and dehumanizing
practices of human tricking and modern slavery on a global scale. Filmed on
five continents, in a dozen countries, Ne
My Life takes viewers into a world where millions of children are exploited
through an astonishing array of practices, including forced labor, sexual
exploitation and child soldiering.
3. Uncle Tom’s Cabin (1987)
Showtime Entertainment
This adaptation of the Harriet
Beecher Stowe novel follows the adventures of a group of slaves in the 19 th
century American South. When Eliza (Phylicia Rashad) hears that she and
her son will be separated despite a promise to the contrary, she flees the
planation on which she’s a slave, leaving behind her friend Tom (Avery Brooks).
Their story splits, following Tom as he clings to faith in the face of immense
cruelty, while Eliza and her son try to survive and remain together despite the
šance.
2. Django Unchained (2012)
Columbia Pictures
Two years before the Civil War,
Django (Jamie Foxx), a slave, finds himself accompanying an unorthodox German
bounty hunter named Dr. King Schultz (Christoph Waltz) on a mission to capture
the vicious Brittle brothers. Their mission successful, Schultz frees Django,
and together they hunt the South’s most-wanted criminals. Their travels take
them to the infamous plantation of shady Calvin Candie (Leonardo DiCaprio),
where Django’s long-lost wife (Kerry Washington) is still a slave.
1. 12
Years a Slave (2013)
Obrázky Fox Searchlight
In the years before Civil War,
Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is
kidnapped and sold into slavery in the South. Subjected to the cruelty of one
malevolent owner (Michael Fassbender), he also finds unexpected kindness from
another, as he struggles continually to survive and maintain some of his
dignity. Then in the 12 th year of the disheartening ordeal, a chance
meeting with an abolitionist from Canada changes Solomon’s life forever.
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