Best Movies about Shot multiple times

Movies about Shot multiple times

Birdman winning an Academy Award for Best Picture wasn’t much of a surprise. Earlier in the ceremony, it had already picked up Oscars for Best Screenplay, Best Directing, and Best Cinematography. The Cinematography award went to the film’s director of photography, Emmanuel Lubezki, giving him a record-tying two Oscars in a row in the cinematography category. Lubezki had won the year before for the stunningly shot Gravitace.

Birdman Cinematography: A Visual Symphony in Filmmaking

Like Gravitace and other films Lubezki shot, including Strom života a Children of Men, Birdman is known for its long takes—single, seemingly unedited shots of several minutes or more in length. In fact, Lubezki and writer/director Alejandro González Iñárritu worked very hard to make Birdman seem like it was shot entirely in a single, continuous take.

This was achieved by combining several long takes and making their transitions as hidden and seamless as possible. For the most part, it was successful and is considered a major factor in Birdman’s considerable award season praise.

While the film used camera tricks and illusion to make Birdman seem like a two-hour-plus single take, it still involved several long shots that are incredibly difficult to film in a practical setting. According to Lubezki, most shots are around ten minutes in length, with the longest take around fifteen. Even a single one of these takes would be considered a daunting and possibly unnecessary task in a production.

Jak se to stalo? Birdman team (Birdteam?) pull this off? With lots of practice. A proxy set resembling the labyrinthine backstage hallways of the St. James Theatre—where Birdman is set—was built in Los Angeles before filming began. It was there that Iñárritu and Lubezki blocked out each shot, playing Birdman’s jazzy, drum-based score in the background to help set the tone. By plotting and practicing each long take, the filmmakers were able to figure out how and where they could hide their shot transitions, as well as get an idea of where to stage their actors and place their lights. They realized for the more difficult shots, visual effects, and special cinematography techniques would be needed to help with the transition.

Shooting and combining these takes assisted in the mobility of the Steadicam, which Lubezki employed throughout filming. The cinematographer has become well known for his intense handheld shots, and Birdman was no different. He personally operated the camera for many handheld shots and relied on veteran Steadicam operator Chris Haarhoff for Steadicam shots, working with him and directing him in real time to better capture the improvisational production of the film and respond to the actor’s movements and unpredictable natural lighting. A 2 nd AC would also follow the operator for some shots to spot necessary camera moves.

The cameras used in Birdman included the Arri Alexa and, for the handheld and Steadicam shots, the Alexa plus. The Alexa M was used for some remote and extreme handheld work, using a custom-built backpack holding an external recorder, its batteries, and a wireless transmitter. The primary lenses used were Leica and Zeiss Master Primes. While many cinematographers would avoid using extremely wide lenses for close-ups, Lubezki, considered a master with wider lenses, did not hesitate to use the Zeiss Master Prime 12mm and similarly wide lenses even for tight close-ups in the claustrophobically shot film, creating many memorable and intimate images.

Camera movement wasn’t Birdman’s only technical feat. Iñárritu did not shy away from using strong colors like red, blue, and green to enhance the drama of the film. Blue and red were used in particular on stage in the play-within-the-movie. Scenes shot outside, with the theater exterior just yards away from Times Square and a memorable scene in the heart of Times Square itself meant the filmmakers had to work around New York City’s omnipresent artificial lighting.

The lighting proved particularly tricky considering the long, varied takes—without the safety net of cutting, Lubezki had to hide his lights out of frame very carefully. In typical cinematic shots, not only do cinematographers take pains to hide the physical lighting equipment and cables out of frame, but they also must maintain the angle of their source within a camera move—shadows or other lights could betray the artificial sources if a shot is not blocked and choreographed correctly. During Birdman’s long takes, with shots often showing 360-degree angles of the set, maintaining this lighting continuity was an epic struggle.

Not only did Lubezki find the right placement for his lighting equipment, he had his grip team constantly move them during the shot, with the lights dancing just out of the frame and moving along with the actors, Lubezki and the camera operator. They would move not only heavy, superhot lamps but also the gels and diffusions bouncing their light and shadows, all to maintain the illusion of a natural source within the shot. This needed to be done for every single take of nearly every single shot in Birdman.

To minimize lighting equipment and allow for what Lubezki called “a ballet” of hustling and shifting crew members, Lubezki pushed the Alexa to an ISO of 1280 with the aperture open wide. By making the camera more sensitive to light in this way, Lubezki reduced the need for larger and more elaborate lighting setups, giving the camera, actors, and crew more freedom and room to move around within each tracking shot.

Lubezki and Iñárritu also employed the use of lens flares to add visual texture to Birdman. By having lens flares on the film’s copious wide-angled close-ups, Lubezki was able to soften the image, lowering the contrast and making the actors’ more intimate scenes prettier and more emotional.

Jednoduše řečeno, Birdman was more than just a string of gimmicky long takes. If the Oscar for Best Cinematography was given on a purely technical level, Birdman would be more than worthy of it. If the Oscar was awarded based on artistry and how beautifully shot a film is, then Birdman would be more than worthy of it. The Oscar, however, is given based on a combination of both these qualities. Birdman was more than worthy of it.

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In our MFA in Cinematography program, aspiring cinematographers strengthen their skills in composition, lighting, and camera movement and learn how to achieve similar cinematic techniques. To learn more about the MFA, visit the degree page.

Movies about Shot multiple times

MONROEVILLE, Pa. (KDKA) — A Monroeville police sergeant is recovering at the hospital and is expected to be OK after a man shot him multiple times while the officer was in his car by the entrance to Stonecliffe Apartments. Police said it started with an armed robbery about a half mile away at the Crumbl Cookie store. Police haven’t identified the officer involved or the suspect. They say the suspect is refusing to cooperate with their investigation, including giving any type of ID on who he is. Lonnie Thomas was in bed, watching TV at his home by Victoria Drive and Virgin Street when he heard the sound of sirens. «There was definitely more noise than you usually hear,» Thomas said. «You could hear the sound and it got a little more intense, and then it seemed like it faded away, and then it picked up again.»

They were coming from two spots close by. The first was around 9:15 p.m. Wednesday, when Allegheny County Police Superintendent Chris Kearns said Monroeville police were called to respond to an armed robbery at Crumbl Cookies off William Penn Highway at the Miracle Mile Shopping Center. Minutes later, a sergeant driving east on Monroeville Boulevard found the suspect near Stonecliffe Drive. «As the officer was approaching in his vehicle, the suspect suddenly produced a handgun and fired multiple shots at the supervisor,» Kearns said. PHOTO GALLERY: Monroeville Police officer shot following armed robbery

According to court records, bullets struck the sergeant at least three times while he was still in his car, injuring his left elbow and left hip. They also hit and damaged his vehicle. Investigators recovered 16 casings on the scene and two handguns. The sergeant injured was rushed to Forbes Regional Medical Center. Monroeville Police Chief Kenneth D. Cole said on Saturday that the injured officer had been discharged from the hospital and continues to recover. Within a minute, officers found the suspect and took him into custody on charges of attempted criminal homicide, aggravated assault and assault of a law enforcement officer by discharging a firearm. «Everybody has moments of desperation, but ask for some help, do something else, you know? Don’t think that what you see in the movies is going to be how it works out, because it is not,» Thomas said. The suspect, despite being uncooperative, was ultimately identified as 32-year-old Jamal Brooks. He is being charged with attempted homicide, aggravated assault, and assault of a law enforcement officer. A judge denied bail at the suspect’s arraignment Thursday morning.

Some shoppers now feel on edge. Lisa Lock says she just missed the incident last night when she was on her way to pick up an order of cookies. «I actually came last night, and so it was closed and then on the way home, I saw the police cars flying past me,» she said. Crumbl Cookie released a statement saying it was «deeply saddened» by the incident and is fully cooperating with law enforcement. «We understand the impact this incident may have on the local community. As we navigate through this situation, our focus remains on supporting the affected individuals and working collectively with the community to foster a sense of security,» the statement said in part.

Second Monroeville officer recently injured in shooting

This marks the second time in recent months that a Monroeville Police officer was shot. «This is the second one that’s occurred here in the past two months, roughly,» Chief Cole said. «And it’s the second one in the history of the police department going back to the 1950s.» WATCH: Monroeville officer shot by armed robbery suspect

Monroeville police officer recovering after being shot multiple times 02:19 In November, an officer was shot in the arm and the leg in Allegheny Township following a chase that began in Pitcairn and took numerous law enforcement officers through Murrysville into Westmoreland County.

The officer who was severely wounded in November has yet to return to work. «I think somebody upstairs is keeping an eye on us, thank God,» Chief Cole said in regard to the possibility of both incidents having the potential to have turned out much worse than they did. Allegheny County police are investigating the shooting in Monroeville.

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Policejní střelba
Allegheny County
Monroeville

Poprvé publikováno 3. ledna 2024 / 9:55 EST

64-Year-Old Delivery Man Shot Multiple Times, Has Car Stolen After Dropping Off Groceries in Philadelphia

Emily Palmer is a Senior Crime Writer at PEOPLE, where she has been a reporter since 2023. Her work has frequently appeared in The New York Times. She has also been published in The Boston Globe, Cosmopolitan Magazine and ELLE Magazine.

Publikováno 7. listopadu 2023 01:22 EST
Trendy videa

Moments after delivering groceries to a woman in her Philadelphia home, a 64-year-old delivery man was shot multiple times by “at least two” gunmen who then took off in his Jeep, Corporal Jasmine Reilly of the Philadelphia Police Department tells PEOPLE.

The delivery man was returning to his Jeep when Reilly says multiple assailants fired at him at 6:15 p.m. Sunday in what the department is investigating as a carjacking and attempted robbery.

The man was shot in the chest, back and torso and remains in critical condition Tuesday. (Per the department’s policy, victims’ names are not released unless they succumb to their injuries, according to Reilly.)

Phyllis Kelly, who had ordered the groceries Sunday, had just gone back inside her home when the gunmen began firing, she told WPVI, adding that she was “in shock and anger” about the shooting. “Maybe if I would have stayed there another minute, maybe they would have went away,” she told the outlet. “Maybe the driver would have been okay.”

Across the street, James Thompson, heard “five or six, what sounded like gunshots,” he told the outlet. The delivery man had parked by his house, and when he ventured outside to see what happened he “saw a guy lying on the pavement.” That’s when he called 911, he told the outlet.

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So far this year, 1,492 people have been shot in the city – a 27 percent decrease from last year, according to the most recent data from The Philadelphia Center for Gun Violence Reporting, which collects data on every shooting in the city. Twenty-three people had been shot within the first six days of November, two of them fatally, according to the center.

The potential motive of Sunday night’s shooting is not immediately clear, Reilly says, and the Jeep has not been recovered.

The department, which Reilly says is “really early in the investigation” and operating on limited information, is investigating the case under multiple potential theories including the idea that the delivery man was targeted for his Jeep or even followed to the Philadelphia home where he made the delivery.

While canvassing the area, police recovered one firearm and multiple spent shell casings.

As of early Tuesday, police had made no arrests.

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